Before Sunrise

Before Sunrise (1995)

Description

A young man and woman meet on a train in Europe, and wind up spending one evening together in Vienna. Unfortunately, both know that this will probably be their only night together.

American tourist Jesse and French student Celine meet by chance on the train from Budapest to Vienna. Sensing that they are developing a connection, Jesse asks Celine to spend the day with him in Vienna, and she agrees. So they pass the time before his scheduled flight the next morning together. How do two perfect strangers connect so intimately over the course of a single day? What is that special thing that bonds two people so strongly? As their bond turns to love, what will happen to them the next morning when Jesse flies away? Written by randywong70@comcast.net

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Review

The beauty is the simplicity of magnificent human emotion.

‘Before Sunrise’ is not a film to be scrutinised, nor studied. The absolute beauty of it lies in its perfection as a simple love story – of two lives suddenly thrown together in the midst of reality, and the ensuing night of simple love that follows. Every individual at some time in life dreams of the connection that is portrayed in this film between Jesse and Celine, and few ever find it. ‘Before Sunrise’ simply and elegantly demonstrates how the most fundamental passions of human emotion can envelope two complete strangers. The beauty of this film is that the story is the most important element. The ending is both provocative and emotional – scenes of the night previously seen in darkness are now portrayed in lonely daylight as the sun rises and the story closes on these two characters. I saw this film by accident one night late on television. I have never forgotten it. So well is it made that the audience never question if this could ever really happen in life, reality being so absolutely characterised in it. ‘Before Sunrise’ is simply the story of two strangers bound in Vienna’s lonely night splendour – one night of love in all its glory, one superb piece of film making.
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Princess Mononoke

Princess Mononoke (1997)

Description

On a journey to find the cure for a Tatarigami’s curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.

While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he’s embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met be animosity by both sides as they each see him as supporting the enemy. Written by Christopher Taguchi

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Review

Allegory on the balance between humans and nature

This seems to be Miyazake’s most personal work, clearly a serious design. It is set in an imaginary time which blends the time of the ancient gods (Shinto style, gods of place and nature) with the settlement of humans and the coming of metalworking and war. The world is not in balance, and a distant conflict between industry and nature has wounded one of the gods of the forest, which is then killed by a sentry boy as it rampages into farmland he guards. The evil controlling it transfers to him, beginning a slow takeover, and he must journey to the origin of the conflict to find a way to cure himself and incidentally, as he will learn, to try to restore balance. But this is not a simplistic tale, he finds there are other characters in play, and there is good and evil in everyone, and no easy balance. The Princess (Hime) of the story is a mysterious human who has been raised by wolves (which are themselves powerful forest gods, a little reminiscent of the Amerindian Coyote myth), who becomes both his ally and his enemy. The story is not easy to understand. It has many Japanese mythic elements but even then, it is a work of Miyazake’s unique imagination, and is not intended to be simple or to have a clean resolution. The animation is spectacular, and unusual, with new elements even for Miyazake and marks a new departure for style which you can see continued in his next film, Sen to Chihiro – more nature, more wild, more jamming on elements from Japanese myth and folklore. And, continuing the trend to be more personal, concerned with ethics and character, and less sci-fi. There are at least half a dozen well developed characters threaded through the story, and their animation is wonderful in displaying subtle character. The original Japanese soundtrack has some amazing singing and draws upon some of the best talent available for voices – in Japan, Miyazake is universally known and this was a masterpiece carefully crafted. Japanese television documented a lot of the production. The English translation drew on some good talent but they seem not to have “gotten it” quite so intensely as the Japanese crew. If you haven’t seen Miyazake, give it a try (but maybe look at Sen to Chihiro first, or even Laputa or Kiki’s Delivery Service, for easier and lighter introduction to his work). Some say he is the Japanese Disney, but I don’t like that. His work has a depth and sophistication that goes beyond Disney cute. There is no other animation like it. This is truly an adult work: children might like some of the visuals, but I doubt that many kids below teen age will have any idea what it is all about, and even adults will get more out of this each time you see it again.
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Oldeuboi

Oldeuboi (2003)

Description

After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.

An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor. Written by Jacksrevenge

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Review

Pass by the "Boo" comments.
After going through the comments, i must say i"m impressed how many people out there don"t have a slightest clue of beauty or intelligent screenplays. there are so many comments from people that totally disliked the movie. which is plain and simple not possible, if you got an open mind and a open heart (and are not drunk). I would compare it to chocolate. You may find it too sweet and prefer bitter chocolate. or you like white chocolate more. Or you got diabetes and can only sometimes eat one. But people that totally dislike chocolate scare me to death. Same goes for Oldboy, you gotta admit some of the genius art-form it contains. Its everything in there. Its heartwarming , disgusting, intelligent, beautiful and lead with outstanding performance of any actor . You HAVE to like something, cause it wont get much better. Its chocolate. If you disliked the movie so much and on a constant basis, why even bother to write a comment? My guess is you just could not follow the movie at all. which is my only guess actually. well enough rambling. :::::::::: Bottom Line ::::::::: If you call common sense, and a human heart your own and like "challenging" movies, go and see it NOW.(i recommend the original korean version with subs)I also recommend the pre- and sequel to this movie. (just browse Chan Wook Park) If you think "The Fast and the Furious" is the best movie ever made, please do not even bother to watch Oldboy, and spare others your "brilliant" reviews.
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Rocky

Rocky (1976)

Description

Rocky Balboa, a small-time boxer gets a supremely rare chance to fight the heavy-weight champion, Apollo Creed, in a bout in which he strives to go the distance for his self-respect.

Rocky Balboa is a struggling boxer trying to make the big time, working as a debt collector for a pittance. When heavyweight champion Apollo Creed visits Philadelphia, his managers want to set up an exhibition match between Creed and a struggling boxer, touting the fight as a chance for a “nobody” to become a “somebody”. The match is supposed to be easily won by Creed, but someone forgot to tell Rocky, who sees this as his only shot at the big time. Written by Murray Chapman <muzzle@cs.uq.oz.au>

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Review

One of the greatest movies of all time.
I don’t remember exactly when I first saw this film, but for a long time I thought that the second of the series was my favorite. Well, I recently bought the DVD box-set and after I watched the first movie again I knew that it was definitely the best in the series, and also one of the best movies ever made. Rocky is very much more than just a boxing movie. It’s a movie about the unbreakable human spirit, determination, and the will to "go the distance." Rocky(Sylvester Stallone) is a second rate club-fighter and a debt collector for a loan shark(Joe Spinnell). He becomes involved with a shy girl working in a petshop named Adrian(Talia Shire), and also becomes friends with her brother Paulie(Burt Young). Rocky’s life really isn’t anything of interest – until the World Heavyweight Champion Apollo Creed(Carl Weathers) gives him an unexpected shot at the title. An old boxer-turned-trainer named Mick(Burgess Meredith) offers to be Rocky’s manager. Although the whole film is outstanding, what follows are some of the greatest and most memorable movie moments of all time. Rocky striving to go the distance in the training scene, the final fight, and the closing moments of the film are so emotional and inspiring that they perfectly demonstrate the human spirit and can bring out the will to win in anybody. Add to this an excellent music score and you have a classic and unforgettable movie. Without a doubt deserved the Best Picture award in 1976. Exceptional performances by all the cast members, notably Burgess Meredith and Sylvester Stallone. **** out of ****
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Das Boot

Das Boot (1981)

Description

The claustrophobic world of a WWII German U-boat; boredom, filth, and sheer terror.

It is 1942 and the German submarine fleet is heavily engaged in the so-called “Battle of the Atlantic” to harass and destroy British shipping. With better escorts of the Destroyer Class, however, German U-Boats have begun to take heavy losses. “Das Boot” is the story of one such U-Boat crew, with the film examining how these submariners maintained their professionalism as soldiers and attempted to accomplish impossible missions, all the while attempting to understand and obey the ideology of the government under which they served. Written by Anthony Hughes <husnock31@hotmail.com>

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Review

Epic
What impresses me the most about the film, as the title makes apparent, is that it’s a German made film about a German U-boat. Patriotism for my own country would tend to make me hate the crew on this ship by definition (especially if portrayed as typical mindless killing machine Nazis), but these characters are so well developed and played like human-beings facing difficult decisions that I find myself sympathizing with these guys. I love the flow and pacing of the Director’s Cut; it takes its time, and does not feel like typical Hollywood formula "first major plot point at minute 12" cookie-cutter routine. Das Boot gives us plenty of time to know these characters, discover how they kill time while waiting for orders, how they feel about their job and each other. Then when the action finally starts: how they deal with the possibility of dying deep underwater, how they react to the sounds of a sub going deeper than it should, the look on their faces as a destroyer is heard pinging them, and dozens of little personality quirks–subtle details that bring the crew to life. It truly does feel like an epic about a submarine crew, and I’m interested in some day viewing the 6 hour TV version. The underwater battles somewhat remind me of Sergio Leone in that Wolfgang Peterson takes forever and a day to get the fights started. Unlike Leone, once the torpedos are launched and the depth charges dropped, the cat-and-mouse game is ongoing and relentless, but never boring. And despite the fact that most of the film takes place inside a cramped submarine, Das Boot is never boring to look at; in fact, it’s a visually spectacular film (given the dated special effects, who hold up reasonably well and add to the old-school charm). And the freedom of the camera in those tight corridors came as an incredibly pleasant surprise. The color and composition of the shots in those tight quarters — particularly upon approaching the first destroyer when we get the first real glimpse of the interior prepped for war — it is both haunting and beautiful. Jurgen Prochnow delivers the most believable performance of a ship captain I’ve ever seen on film. All the emotions register on his face–his concern for his own life, ship, and crew; his hatred for the decisions he’s forced to make; the disbelieving joy of beating the overwhelming odds–while simultaneously holding it back so the crew sees a strong unmoving man forever in control of the situation. His performance is, in a word, brilliant. The rest of the cast also delivers amazingly believable performances, and trust me, I could write an entire review on the film’s characters and their portrayals. It’s both disappointing and satisfying that I’m not given enough space to do so (I wish I could state that about a tenth of the films I’ve reviewed here on IMDb.) I liked the entire crew of this U-boat, the war correspondent and his character arc as he realizes the truth behind these "heroes", the chief and his longing to return to his wife, Johann and the story of his redemption–all well cast, well acted, and believable. Another aspect I adored about Das Boot – the controversial scenes simply rolled by with no more or less emphasis than any other statement the film makes. In fact, I saw the film before really reading anything or researching it and found myself somewhat shocked to hear about these "talked about" scenes. Granted, the film does pose some moral questions, but I felt the film handled it with grace and great subtlety, showing what it needs to get the point across and not a step further . . . unlike typical Hollywood where controversy gets bold print, italics, and a highlighter. Maybe I should move to Germany. I can go on for a long while: Over three hours of wonderful visuals and strong performances, a sparse but great score (this film’s lack of music is quite appropriate, making the presence of music much more impactful in its key places). Realistic writing from people who lived the experience first hand. As I said, I can go on for awhile but I’ll sum it up and end this review with one statement: Das Boot is the definitive submarine movie.
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M

M (1931)

Description

When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.

In Germany, Hans Beckert is an unknown killer of girls. He whistles Edvard Grieg’s ‘In The Hall of the Mountain King’, from the ‘Peer Gynt’ Suite I Op. 46 while attracting the little girls for death. The police force pressed by the Minister give its best effort trying unsuccessfully to arrest the serial killer. The organized crime has great losses due to the intense search and siege of the police and decides to chase the murderer, with the support of the beggars association. They catch Hans and briefly judge him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Review

60 years old, and still uber-suspenseful
The opening scene of this movie is the first clue to its near perfection – A mother preparing dinner for her child, waiting anxiously for her to return from school. Her hope, and then distress as she hears people pass outside her door. While down in the streets of Berlin, her daughter is receiving a balloon from a strange man in a long black coat. We know what’s going to happen, but it’s still horrific to watch. Fritz Lang, you cinematic god! A simple story of the underworld, the police, and a single man holding an entire city hostage, and done with such precision and pre-noir darkness that is oozes creepy suspense from beginning to end. But this movie is not so simple as the police inspectors trying to catch a devious murderer – it’s about the mob, employing its network of beggars and petty thieves also trying to bring the killer to their own brand of justice. Apparently, the police crackdown caused by the murders is bad for business – so the mob begins to track him down as well. It’s not only a great crime story, and perhaps the first physiological thriller (the murderer is schizophrenic) but there’s comments to be made here about the nature of justice, and who should best dispense it. In all, not only a trail-blazing classic, but THE trail-blazing classic.
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Toy Story 3

Toy Story 3 (2010)

Description

The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it’s up to Woody to convince the other toys that they weren’t abandoned and to return home.

Woody, Buzz and the whole gang are back. As their owner Andy prepares to depart for college, his loyal toys find themselves in daycare where untamed tots with their sticky little fingers do not play nice. So, it’s all for one and one for all as they join Barbie’s counterpart Ken, a thespian hedgehog named Mr. Pricklepants and a pink, strawberry-scented teddy bear called Lots-o’-Huggin’ Bear to plan their great escape. Written by Walt Disney Studios

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Review

By delivering an amazing finale to an amazing trilogy, all we can do is bow and thank Pixar once again.
Star Wars. Indiana Jones. Fistful of Dollars. Bourne. These are all incredible trilogies that can, will, and should stand the test of time. Yes, I am neglecting the fourth Indiana Jones. Upon the mention of the third Toy Story, I was deathly afraid. Afraid because it has some major, major shoes to fill. The original is a masterpiece that changed animation forever, and the sequel is among the best in the history of film (I mean that). The first two Toy Story films are among the best movies of all-time and to this day entire animation studios have failed to duplicate an ounce of the magic contained in Toy Story. Could part 3 even come close to the original two? My friends, I am very happy to say, the answer is a resounding yes. Toy Story 3 does exactly what the first two did, delivered on all cylinders, all aspects of film-making and entertainment. The humor is back, the heart is back, the delightful cast of characters is back. This time, thanks to an incredible script, there"s more suspense, more drama, and many more surprises. Like any spectacular trilogy, it wraps up all loose ends. It literally is difficult to find any flaw or any slow moment in this movie, and even if there is, it will immediately be forgiven by the next major laugh or the next major revelation. The predictability factor in this movie is low, and the payoff to all the suspense is extremely high. Guys, this is the go-to movie of the summer, and makes up for any disappointment you have seen this year or last. Just like Toy Story 2"s subtle and underlying themes, Toy Story 3 revolves around the group of toys and their latest adventure, but dwells far deeper than that. On the surface, this movie is about the toys in a series of circumstances, winding up in a daycare center that isn"t all it seems. At the same time, Andy is heading for college, but Woody isn"t quite ready to let go of his owner and the memories that follow. The deeper aspects involve aging, growing up, and moving on. Michael Arndt, the Oscar winner that wrote Little Miss Sunshine, was behind the spectacular screenplay in this third trip in the world of toys. Then with the help of John Lasseter and Lee Unkrich (who serves as the director), we see plenty of references to Pixar, other movies, the previous Toy Story installments, and even we even see nods to the influences of the entire animation studio (Miyazaki). The writing wasn"t the only thing that was on par with the first two Toy Story movies. The voice acting cast was once again phenomenal, with popular actors, underrated talent, and great character actors filling the bill. Come on now, just read em": Tim Allen, Tom Hanks, John Cusack, Wallace Shawn, Jody Benson, Estelle Harris, Blake Clark, John Ratzenburger, Ned Beatty, Jeff Garlin, and Michael Keaton. Unlike what Dreamworks pulls off on a yearly basis, Pixar carefully chooses their voice cast in terms of pulling off the best performances, not to generate more money. Because honestly, was there even a point to Angelina Jolie voicing the tiger in Kung Fu Panda? On the other hand, very few can pull an authentic Barbie like Jody Benson (a.k.a. Ariel in the Little Mermaid). It takes reliable and authentic acting to pull at the heartstrings, and everyone definitely was on their A-game. Lee Unkrich directed this movie with incredible pacing and just as much heart and dedication as Lasseter, who was in charge of the first two. The truth is, Pixar directs the movie together, as they share ideas and suggestions amongst each other. This fact can be traced to the similar pacing and directing styles seen in Pixar"s better works like Ratatoille, Finding Nemo, and Up. They all have the similar technique of incorporating just as many tears as laughs. But unlike all the other Pixar movies (with the exception of The Incredibles), Toy Story 3 has a heave dosage of suspense and peril, which is climaxed by one of the most exciting animated sequences this side of Castle in the Sky (a Miyazaki adventure masterpiece). Other reviewers have noted this before me, but this Toy Story is quite scary in depth and in imagery at some instances, so be wary of this while watching this with the kids. With so much time invested with these toys, the drama runs a bit high. Bottom Line: Toy Story 3 secures its place in cinema brilliance by becoming the best third installment since Indiana Jones and the Last Crusade, the best sequel since Kill Bill Vol. 2, and the best movie we"ve seen this year. This movie is usually hilarious, sometimes thrilling, and sometimes downright tear-jerking. And yes, just like Up"s opening 10 minutes, there is that one major sequence in which Pixar will play with your heartstrings like Eric Clapton playing tears of Heaven. If you enjoyed the first two Toy Stories, there"s no need to worry about the third and hopefully final chapter in the quality-filled saga. How Pixar manages to deliver yet again is absolutely beyond me. Walt Disney may not be one-hundred percent proud of his company if he were alive to see it now, but he would be absolutely delighted at seeing what beautiful art Pixar has delivered ever since 1995. Pixar has re-created Walt Disney "s magical methods of storytelling and movie-making, and arguably has taken it a step even further by adding depth to the characters and depth to the overall stories presented. The direction was fantastic, the writing was Oscar-worthy, and the overall production is Best Picture caliber. This is Pixar"s best work since Finding Nemo, and a must see by any means necessary. Despite my cynical nature, there"s no way I can grade this any less than perfect. Just no way.
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Vertigo

Vertigo (1958)

Description

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend’s wife, all the while becoming dangerously obsessed with her.

Former Police detective John “Scottie” Ferguson was asked by a friend to investigate his wife named Madeleine since he was afraid that she might attempt to kill herself due to probable insanity as she thinks that she might be possessed by a dead woman. Scottie agrees and ended up falling in love with her. Unfortunately for him, Madeleine died and he was left alone until a woman named Judy came along and things start to unfold.

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Review

Beyond Amazing
Over the years, this film has been regarded as one of Hitchcock’s masterpieces. Its been called the most personal, emotional, and complex of Hitchcock’s films. I agree with all of these things except for one, this film IS Hitchcock’s masterpiece work. All of the others pale in comparison to this. There are phenomenal performances here by Jimmy Stewart who plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film, the cinematography, the story, the depth, etc. leaves you mystified and transfixed on this dizzying, surreal artwork of a film. It truly is flawless. If you are a Hitchcock fan and haven’t seen this you need to get up right now and buy, not rent, this as soon as possible!
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Star Wars: Episode VI - The Return of the Jedi

Star Wars: Episode VI – The Return of the Jedi (1983)

Description

After rescuing Han Solo from the palace of Jabba the Hutt, the rebels attempt to destroy the second Death Star, while Luke struggles to make Vader shake off of the dark side of the Force.

Darth Vader and the Empire are building a new, indestructible Death Star. Meanwhile, Han Solo has been imprisoned, and Luke Skywalker has sent R2-D2 and C-3PO to try and free him. Princess Leia – disguised as a bounty hunter – and Chewbacca go along as well. The final battle takes place on the moon of Endor, with its natural inhabitants, the Ewoks, lending a hand to the Rebels. Will Darth Vader and the Dark Side overcome the Rebels and take over the universe? Written by Colin Tinto <cst@imdb.com>

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Review

A touching end

I’m sick of people whining about Ewoks! True, they’re not the best thing that ever happened to Star Wars, but they DID happen, so deal with it! Besides, they ARE cute, and I don’t care if they’re marketable. Yubb Nubb! This movie always leaves me in tears. It’s perfect. The end could not be better. I’m excited for The Phantom Menace because it will suddenly throw the focus of the whole story from Luke to Anakin. I love how he is revealed at the end – it would be too unresolved any other way. So those of you who are complaining that Vader’s helmet was removed, take a moment to think about it. It’s very effective. Vader, the man who hid behind a mask for 20 years, is finally revealed as a sick-looking man. He is not entirely machine – he’s vulnerable. I don’t know how the casting director happened to pick such good actors in A New Hope. They all do so well. They are believable characters. Hamill does an excellent job with his dramatic character development. Fisher does a fine job being a female role model (I mean, come on! She killed Jabba even when so many others had failed!). Harrison Ford – need I say more? The music is once again brilliant. It’s so very touching and significant when you can pick out character themes at different parts of the movie. The best climax is when Luke shouts “NOOO!” and jumps out to fight his father in the Final Battle. John Williams is nothing short of a genius! What an amazing man! Already, the movie has so much more meaning for me because of Episode I. I can’t wait to finally see it in the theatres (CAN I WAIT???) and then watch the original trilogy yet again. Bravo!
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Grave of the Fireflies

Grave of the Fireflies (1988)

Description

A tragic film covering a young boy and his little sister’s struggle to survive in Japan during World War II.

Setsuko and Seita are brother and sister living in wartime Japan. After their mother is killed in an air raid they find a temporary home with relatives. Having quarreled with their aunt they leave the city and make their home in an abandoned shelter. While their soldier father’s destiny is unknown, the two must depend on each other to somehow keep a roof over their heads and food in their stomachs. When everything is in short supply, they gradually succumb to hunger and their only entertainment is the light of the fireflies. Written by Corrected by Liron

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Review

Haunting

I was warned this movie would be emotional, but I had no idea just how understated that was. By the end, my friend and I were huddled together, pouring out tears I’ve never shed for any movie before. It was a mix of horror, empathy, sadness, and so many more emotions I can’t even begin to list. Visions of this film have haunted me since first watching it, and I would find it hard to watch again, simply from it being so heart-wrenching. Only one movie has ever hit me hard enough to keep me from subjecting myself to it’s strong emotions again (The thief, the cook, his wife and her lover). I strongly urge all to watch this, as it rises well about any films I’ve seen, anime or not.
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The Wolf of Wall Street

The Wolf of Wall Street (2013)

Description

Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.

In The Wolf of Wall Street DiCaprio plays Belfort, a Long Island penny stockbroker who served 36 months in prison for defrauding investors in a massive 1990s securities scam that involved widespread corruption on Wall Street and in the corporate banking world, including shoe designer Steve Madden. Written by anonymous

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Review

Scorsese’s best pic since Goodfellas

The last few Scorsese pics left me a little disappointed. I had begun to think Marty had become a ‘gun for hire’ and that his brilliance may have been spent (his earlier works were some of the best movies ever made). I attended a screening of The Wolf of Wall Street this evening, and was expecting to be unimpressed. I am happy to say I was completely blown away. This pic is Marty at his best. I laughed, I cringed, I related (with fond memories as well as a bit of guilt) and I TOTALLY believed every unbelievable moment. A good book, a great screenplay and a delightful cast were formed and molded into what I believe should get Scorsese a best director Oscar, and likely a Best Picture Award for the movie. Leo DiCaprio has grown into a versatile actor and his creation of this super hero dirtbag’s roller coaster ride in this crazy (true) story is really honest and delightfully entertaining. Jonah Hill pulled out all the stops too and this is definitely his best work. Thank you Mr. Scorsese for delivering the goods so brilliantly!
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Chinatown

Chinatown (1974)

Description

A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption and murder.

JJ ‘Jake’ Gittes is a private detective who seems to specialize in matrimonial cases. He is hired by Evelyn Mulwray when she suspects her husband Hollis, builder of the city’s water supply system, of having an affair. Gittes does what he does best and photographs him with a young girl but in the ensuing scandal, it seems he was hired by an impersonator and not the real Mrs. Mulwray. When Mr. Mulwray is found dead, Jake is plunged into a complex web of deceit involving murder, incest and municipal corruption all related to the city’s water supply. Written by garykmcd

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Review

Yes, this really is the best movie ever…

From the first 10 minutes of the first time I saw this movie in the theatre, I’ve truly loved it, more any other movie I’ve ever seen. Why? Well, that easy, it’s just so… PERFECT! Obviously there are many other great movies, and many other movies I personally also love, but Chinatown has a real spell over me. Other fans have commented here on the story and the spellbinding way that the forlorn and utterly mysterious story unfolds. I certainly agree. Chinatown’s cinematography and editing? Yes, I agree again! IMO, it’s breathtaking, with pacing so tight that I sit straight up thru the whole movie and my nerves become completely raw every time I watch, listen and FEEL it again. I don’t think anybody has commented yet on the great choice of the many supporting actors. Each one so well cast and very believable in their roles! You’ve got the entire cast credits list (thank you IMDb) so I won’t list them here but there are so many memorable performances here! It would be unfair to highlight one, two or three! Good cops, bad cops, ugly rich, up-and-coming, downtrodden poor, the very honest and very crooked with all shades in between! Each and every role a character study in and of itself and together they make a living “time capsule” of the forties that we can revisit for generations to come. And then there’s that sound track which hooked me on great trumpet players and the Est Coast Jazz sound of the era. I just love that music and way it interweaves with the ongoing theme – it’s perfectly united with the faithful and compelling use of the film-noir style. I saw this movie first in Chicago and heck, back then I knew nothing about LA, though I’ve since moved to and lived in the area for years. Once relocated, I quickly discovered the historically interesting side to the story and then appreciated the movie from yet another compelling angle. No question, the plot is fundamentally sound with many totally unexpected and yet quite plausible turns. But I later understood that it’s within the realm of believability from factual standpoint, as well as intellectually/emotionally. Geez, I’ll never forget that first confrontational scene at the Albacore Club! The study in absolute raw and evil power as masterly portrayed by John Huston. In the very same scene Jack Nicholson skillfully paints the subtleties of his cautious, cynical, small-time hustler character. The air crackles! I must have played this scene in my mind a thousand times. When I visited Catalina Island for the first time in about 1985, not knowing its significance to the movie, I walked by the Albacore Club (The Tuna Club in real life) and froze transfixed. I recognized it instantly of course, and I must have stood there gawking for 20 minutes not saying a word. I could literally HEAR the Chinatown theme – the memories were that clear and fresh! In closing, I guess then what does it about Chinatown for me (why I feel so strongly that it is the very best movie of all) is that every facet of the movie construction, from the opening scene to the ending credits, somehow fits together in a homogeneous, complete and absolutely flawless way. I find it fascinating to analyze the characters and their makeup. To imagine the reasons they did what they did. But there is NOTHING I would change. Nothing.
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Amélie

Amélie (2001)

Description

Amelie, an innocent and naive girl in Paris, with her own sense of justice, decides to help those around her and along the way, discovers love.

Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father’s mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective – she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the “ghost”, a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades – she finds out that she is disregarding her own life and damaging her quest for love. Amélie then … Written by spragg_s

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Review

This is rated so highly cause it deserves it
A slice of heaven right here on earth, "Amelie" is a joy to behold, and has some of the most gorgeous cinematography I’ve ever seen in a movie. Audrey Tatou is perfection as the title character. A combination of Audrey Hepburn, Dolly Levi and Roger Rabbit, she involves herself in the world surrounding her as a means of really enjoying living. There are moments when she finds complete and total joy just walking down the street. Some of it is hilarious, too..like when her pet goldfish habitually tries to commit suicide, or when she is on the telephone with the man at the porno shop, or when a character is asked "Are you a congenital shmuck"? But for the most part, its a human comedy, about love, of course. Just beautiful. 10/10.
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Yip Man

Yip Man (2008)

Description

A semi-biographical account of Yip Man, the first martial arts master to teach the Chinese martial art of Wing Chun.

In 1935 in Foshan, south China, there are martial arts schools on every street corner. Ip Man is the undisputed martial arts champion, yet he has not devoted himself to teaching. Despite this, it seems that all the kung fu masters of the city are eager to fight him to improve their reputation. Written by Riccardo Amadori

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Review

"Wing Chun, Ip Man."– Donnie Yen.
No wonder Ip Chun (Ip Man"s son, consultant to this movie) was so pleased– from the twinkle in his eyes to the lifting of his feet, Donnie Yen inhabits this movie like he is possessed by Ip Man. And as Ip Man himself explains early in the movie: "the key is the person." Revolving around the central (true) event of Ip Man rejecting the Japanese"s "request" to train their soldiers when they occupied China and eventually sparring with them, this is essentially a genre movie built around the martial arts set-piece (Wing Chun vs Karate, see the trailer) "exploding" mid-way through. And what a movie they have built up around their central show-piece! Taking on the common martial arts/Kung Fu Movie theme of "what can one martial artist do against a turbulent world/time?" (one of the movie"s promotional tag-lines), the story "hook" is not whether Ip Man will win– but rather when he will be forced to fight and what would happen when he does. And the notable level of acting, scripting, production, etc. –highlighting not only Ip Man but also the plight of his family, friends and townsmen– really ramps up the drama and "heart" for audiences who might not care for the genre. One evidence for this is how "Ip Man" garnered 12 nominations for the 2009 HK Film Awards in both the acting/directing and technical categories– though it really stands out as a killer Kung-Fu Film, and consequently won for Best Action Director and Best Film. In short, "Ip Man" is quite a good ("mainstream") movie– but a great martial arts/Kung Fu (not "action", as Donnie Yen points out during interviews) movie. And some telling numbers explain why: There are around 12 fights or so (depending on how you count them) evenly spaced throughout the film, with Donnie Yen in almost half of them– with 3 or so weapon fights (not counting guns) and 5 or so group fights (anything with more than 2 people)– which is why this is a martial arts movie, and not an "action" movie (no explosions, chases, shoot-outs, etc.). The shortest fight takes about 10 seconds and his longest runs around 2 minutes– which gels with Donnie Yen"s belief that real people fight to win and don"t "pose, talk, fight, run, and… pose, talk, fight, run and…". Together with the miscellaneous violence (guns, etc.), the audience is virtually given an "adrenaline shot" every 5 minutes or so to give audiences something to laugh, cry or even cheer about. Of course, it also inspired in me a new-found respect for Wing Chun (Ip Man"s school of martial arts)– as well as action director Sammo Hung"s "tight" choreography and camera-work (in China/HK, action directors control the camera as well as direct the actors). The close-to-mid range shots make it easier to "catch" the stunt doubles… but just like everything else in the movie– blink and you"ll miss it! For much like Wing Chun, everything in this movie get to the point quickly– so that at over 100 minutes, the movie feels much too short…. But thank you, Wilson Yip (the director), for respecting the audience and not belaboring the "message"– for a movie that is basically a war/ nationalist melodrama, it manages to unfold as elegantly as Ip Man"s character (& Donnie Yen"s acting). But for those who care about the "downside": this movie is only loosely "based on" Ip Man"s life– in that the earlier parts is a dramatization of various accounts, the middle section is highly exaggerated (1-to-1 vs many-to-1 sparring), and the end is completely fictional (read: lead to an end-fight). And as a "World War II side-story" about a simple people in a small place (Foshan, China), there are only a few lines of text and transitional scenes depicting the Japanese invasion/occupation of Foshan (the director didn"t have the budget to show how Foshan lost 3/4 of its population)– though it manages to be quite effective, especially for those already familiar with the history. But those craving more creativity, complexity or completeness in this movie will be disappointed– especially by the rather haphazard way the movie "wraps up" Ip Man"s life at the end (when it wasn"t certain whether/how a sequel would be made). Whatever the quibble, "Ip Man" heralds a break-though in realism for "grounded" martial arts/ Wushu movies; the way "Crouching Tiger, Hidden Dragon" heralded a break-through in surrealism for "floating" martial arts/Wuxia movies. It is clearly made for fans of Wing Chun and Kung Fu Movies– and it makes no apologies for that (thank goodness for no "foreign" investors– though it means that this movie is unlikely to get foreign distribution).
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A Clockwork Orange

A Clockwork Orange (1971)

Description

In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society’s crime problem – but not all goes according to plan.

Protagonist Alex DeLarge is an “ultraviolent” youth in futuristic Britain. As with all luck, his eventually runs out and he’s arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex’s ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle

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Review

Brilliant, stunning and disturbingly entertaining

Few films are as sensational or infamous as Stanley Kubrick’s “A Clockwork Orange”. It’s impossible to sit through ACO and not have a reaction; whether it be shock, disgust or amazement. The savage tale of a brutal young droog and his subsequent “reformation” by the government is as shocking and thought-provoking as ever. While the film’s depictions of violence and sex are what it’s most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government’s attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can’t be denied. Equally excellent to the film’s content is the effort by the crew. Kubrick’s perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick’s use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist’s behavior and the government’s policies. A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It’s a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.
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Taxi Driver

Taxi Driver (1976)

Description

A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.

Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He’s a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew. Written by Huggo

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Review

Diary of a madman

The script of “Taxi Driver” is built like a diary, the diary of a very ordinary guy who gets hired as a night taxi driver back from Vietnam, because he can’t sleep at night. A very ordinary guy who tries to break his isolation, but can’t, while violence accumulates inside him. One of those unnoticed people with dark things on their mind, one of those who break up the news one day with some extraordinary outburst of rage, to fall back immediately into anonymity. The gradual transformation of man into beast in this movie is chilling. It’s still funny and pathetic when the hero threatens himself in front of the mirror (“you’re talking to me?”), but when he comes out with a mohawk hairdo and dark glasses, it is obvious that nasty stuff is going to take place. As in “A Clockwork Orange”, violence is recuperated by society depending on what purpose it is used for. Whereas he was about to murder the candidate for presidency, “god’s lonely man” fails and instead kills a vicious pimp who exploits teenage prostitutes. The potential criminal becomes a hero for a day. Such stories happen everywhere of course, but it seems that the bewildering atmosphere of New York City’s summer night was the best choice. “Taxi Driver” gives us a very realistic approach of New York, in a way that is not seen on screen so often, at least not anymore, whilst that city is probably the one in the world that has been filmed the biggest number of times. Most of the movie takes place at night. The credits open on the blazing lights of the yellow taxi cab moving slowly in the dark rainy streets. A kaleidoscope of neonlight appears through the dripping windows as the driver’s eyes blink in the front mirror. The night is the hero’s universe, it’s the time when “all the animals come out”, as he says. By contrast, the few daylight scenes look somewhat off-key, but this was definitely intentional. The final scene still appears today as extremely violent, but at least, it shows murder for what it is. Brutal, ugly, crude. It is something one tends to forget about after seeing so many police series where people get shot so often that it gets casual. Real violence is not casual when you face it, and here is a film that makes you face it. The directing is first class and deservedly made path for Scorsese as a world renowned artist. Some techniques he used here are unusual for American cinema, like focusing on details for a few seconds. The movie is enhanced by an excellent music soundtrack by jazz composer Bernard Herrman who died before the picture was even released. Two of the actors also deservedly made it to stardom. Robert de Niro plays a very unglamorous character, but his presence on screen is so intense that it’s no wonder it made such an impression. As for Jodie Foster, she already appeared in films as a child, but playing a teenage prostitute was certainly not an easy challenge, and probably it was that role that really turned her into a major actress. “Taxi Driver” was a big hit when it came out, both for the public and the critics. It won the Palme d’Or in Cannes, and served as a trend setter for many later films, like for instance Quentin Tarantino’s and Abel Ferrara’s. But even today, the original model seems difficult to emulate, probably because achieving a masterpiece is a rare thing, by definition.
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Once Upon a Time in America

Once Upon a Time in America (1984)

Description

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later. Written by Andrew Welsh <andreww@bnr.ca>

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Review

Mesmerizing and haunting tale of love, greed, regret, betrayal and revenge

This is, for me, one of the finest examples of cinematic art. It isn’t a simple, cut-n-dried 90 minute little package that gets wrapped up with a pretty bow at the end. You get pulled in by the enigmatic opening that unwinds the threads of the story to be found later. For many people having half an hour of purely visual story telling, of stories that are only mysteries at that point, before anything becomes truly linear is difficult to follow and discourages to many people. Our own memories are only snippets that only become linear as we concentrate on scenes from our lives. Once Upon a Time in America is like that as we follow Noodles through the `significant’ part of his life – the times that formed him. When the story actually starts, we meet the girl that he always loved but could never have. David `Noodles’ Aaronson (DeNiro) was a kid on the very mean streets of Brooklyn when organized crime was born in America and he grew into and out of it. That’s the simplest synopsis of the plot. The reality is that this isn’t a movie about gangsters. Being a gangster is the easiest way for Noodles to survive and get ahead, but it also alienates and ruins his one love. Whenever he is close to giving himself to Deborah he always gets pulled back into the gang, in some form or another. DeNiro’s portrayal is of a gangster, through and through, who also has a conscience that, while not preventing him from being a ruthless killer, rules his life with regret, remorse and guilt. Leone takes a bit of poet/historic license by showing the Brooklyn Bridge being built in the background (the bridge had been built 40 years before), but it symbolizes Noodles’ own growth. When the bridge is just pilings and incomplete towers, Noodles is just forming his future. By the time the bridge is complete, Noodles is nothing but a gangster and the bridge is majestic. When he returns 35 years later our view of the bridge is from under a freeway — the world has moved along, but the bridge and Noodles are just as they were. The length: If you’re looking for a brief distraction that you’ll barely remember 30 minutes later, this isn’t the movie for you. However, if you are prepared and able to be undistributed for the nearly 4 hours that this film uses to compress a lifetime — you will be rewarded with many facets of thought and examination.
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